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  • The Ledge #560: Home Plays

    This is another of those shows that really has no format. It’s pretty much a rundown of the music I’ve been listening to around the house the last couple of weeks. There’s some great reissued vinyl by Thee Headcoats, Beat Happening, Bottle Rockets, and others. There’s old faves pulled out of the stacks by the likes of Jason and the Scorchers, Hypstrz, Curtiss A, and (shockingly) The Replacements.

    But I also made room for some new tunes, highlighted by the return of Minneapolis faves High on Stress with their new single, “Over/Thru”. I have no word as of this point whether it’s a sneak preview of a new full-length album, but I’m obviously hoping that’s the case. Other new tracks include tunes by Huck 2, The Downhauls, Lone Wolf, and The Tearaways.

    As for the “52 Weeks of Teenage Kicks”series, I aired one of the more interesting remakes that I’ve found of this fabulous song. The story goes that at some point many years ago, former Young Ones star Adriam Edmondson “accidentally” bought a mandolin. After learning a few chords he began to play a few old punk rock faves. This led to him forming a Celtic-leaning band, The Bad Shepherds, whose albums primarily covered those same punk songs he had found himself learning on his new instrument. So in honor of St. Patrick’s Day, I felt it a perfect time to air The Bad Shepherds’ “Humours of Tullah/Teenage Kicks/Whiskey In the Jar/The Merry Blacksmith” medley.  

    Again, I’m putting out a request to all musicians and wannabe musicians to submit your own version of “Teenage Kicks”. If you have any questions, or have a version ready for me, contact me at paulisded@gmail.com

    For more info, including setlists, head to http://scotthudson.blogspot.com

     

    Download MP3 here


  • The Ledge #551: 1993

    I have to admit that tonight’s show made me feel like an old man. Sure, I’ve done shows devoted to individual years on a regular basis, but I’ve fully understood that the songs featured on a broadcast like last week’s 1978 tribute were nostalgic looks at the past.

    But tonight’s show featuring (almost) nothing but tunes from 1993 didn’t feel like a nostalgia trip. These songs don’t feel like they are 30 years old. I swear they were released just a few years ago. Maybe it’s because I still have such a connection to records like Archers of Loaf’s Icky Mettle. Or the fact that Bikini Kill’s “Rebel Girl” still packs the same punch it did back when it was released. Plus, I’ve obviously spent plenty of time with all of the solo albums released by former members of The Replacements.

    Even this week’s second edition of my “52 Weeks of Teenage Kicks” dates back to 1993, and in a weird sort of twist was the reason I came up with this idea. As I said last week, I had earlier realized that I owned quite a few versions of the song. But I had read on Facebook that a great Minneapolis band from the early 90’s, Loose Rails, were back together and playing a show around Christmas. I loved their 1992 album, Red Turns To Green, on Crackpot Records, and I believe I even interviewed them back then before they played here in Sioux Falls.

    So with this news that they were doing some gigs once again, I went to discogs to see if they had some music other than that album. Sure enough, they had also released a trio of singles around that same time, and their final single featured a version of “Teenage Kicks”! That led to a Facebook plea for anybody who had a copy of that cover, and Matt Potts from Loose Rails actually sent me a physical copy of the seven inch! 

    With the tune added to my folder of covers, it seemed like an obvious idea so I’m so happy to be airing their version on this episode. Once again, I would love for any band or label who has either recorded their own cover of the tune or maybe once played it live to submit their versions for future instalments of the series. I’ve already received a couple of submissions, and a few promises. If you have any questions, please don’t hesitate to ask! Just email paulisded@theledge

    For more information, including setlists, head to http://scotthudson.blogspot.com

     

    Download MP3 here


  • The Ledge #549: New Releases

     I’m sure plenty of veteran Ledge listeners are confused right now. A new release episode at the end of the month? Aren’t those shows scheduled for the first Friday of the month? What’s going on here?

    Well, here’s the deal. I’ve come up with a sub-theme for 2023. This will be a yearlong theme that will affect every single show, and I have a main theme set up to introduce this next week. So 30 hours before 2023 begins, I started broadcasting the first 2023 new release episode as my final episode of 2022. Make sense?

    There’s really not much difference between airing it now and in seven days. Yes, there would inevitably be a few new tunes worthy of inclusions, but I’ll make sure the February episode is jam-packed. And, honestly, I was really excited to present to everybody a bunch of tracks from a brand new Replacements tribute album. Graduate Unskilled – Un Tributo ai Replacements, which can be found at this bandcamp site , is an intriguing nineteen track collection of Replacements cover tunes that I’m sure my Ledge listeners will love.

    Along side those tunes, there’s the usual mix of new power pop, garage, punk and indie rock tunes. As usual, there’s a set devoted to our friends at Rum Bar Records. There’s even a track from a concept record devoted to an old Scooby Do episode!

    I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but fund their next set of wonderful songs. And if you buy these records directly from the artist or label, please let them know you heard these tunes on The Ledge! Let them know who is giving them promotion!

    For more info, including setlists, head to http://scotthudson.blogspot.com

     

    Download MP3 here


  • The Ledge #543: Power Pop, Pt. 1 (The Past)

    On a fairly regular basis I’m asked what type of music I most enjoy. It’s a pretty tough question to answer, to be honest. The standard answer I hear in return is “I love all kinds of music”, which to me is code for “I only like what’s popular”. Sorry, but having a playlist on Spotify that includes both Drake, Meghan Trainor, and Luke Bryan isn’t the proof of versatility most of these poeple believe it is.

    So what is the genre or sub-genre that is closest to my heart? “Punk” is a little too confining, and honestly there is a lot of shitty music under that moniker. “Alternative” doesn’t mean the same today as it did 30 years ago since maintstream rock radio has co-opted it. “Garage rock” is indeed getting closer but still doesn’t feel right.

    I think deep in my heart the term power pop, or at least my version of the term, best describes my music taste. I was, after all, born the day The Beatles recorded their first single, and the first two rock and roll albums I owned just out of my toddler phase was the first Monkees record and the A Hard Day’s Night soundtrack. 

    My teen years coincided with the rise of punk rock, and the initial blast of punk was primarily sped up power pop. Catchy tunes played fast, and that is where my description of power pop may be a little bit different from what others consider power pop. There’s a lot of bands in this genre that, honestly, sound a little too wimpy for me. I emphasize the “power” portion of the term.

    Tonight’s show is not only a remembrance of bands and records from that time, but is also a reaction to reading a couple of great books that I recently acquired. Go All The Way: A Literary Appreciation of Power Pop and Go Further: More Literary Appreciations of Power Pop are collections of essays on the genre compiled by Paul Myers and S.W. Lauden. This led me to dig through my iTunes archives to reacquaint myself with some long lost fave, and also asked for some suggestions on Facebook.

    This show is part one of a two part series. Here’s almost 2 1/2 hours of my favorites from the past. Next week will be a show devoted to current (or somewhat current) bands continuing to carry the torch for guitar-driven pop songs. Do you have some favorite current power pop bands or songs? Please let me know!!!

    I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but fund their next set of wonderful songs. And if you buy these records directly from the artist or label, please let them know you heard these tunes on The Ledge! Let them know who is giving them promotion!

    For more information, including setlists, head to http://scotthudson.blogspot.com

     

    Download MP3 here


  • The Ledge #541: Halloween Spooktacular

    I may say this every year but it is worth repeating. Halloween is the ultimate rock and roll holiday. Like truly great rock and roll, Halloween is dangerous, controversial, and noisy. Religious idiots for decades have claimed both are associated with Satan. 

    For the most part, tonight’s show is full of new or recently-released Halloween-themed tunes. Many tracks have been released within the last couple of weeks just for shows such as this one. The Damned, for example, just happened to put out a new live album TODAY! 

    I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but fund their next set of wonderful songs. And if you buy these records directly from the artist or label, please let them know you heard these tunes on The Ledge! Let them know who is giving them promotion!

    For more information, including setlists, head to http://scotthudson.blogspot.com

     

    Download MP3 here


  • The Ledge #537: Twin Tone Records

    After the success of last month’s series on SST Records, it was only natural that I took a look at doing a similar series featuring another of my favorite record labels of the 80s. I’d actually been thinking about a Twin\Tone Records episode for a long, long time, so why not do it now?

    Many people think of only bands such as The Replacements, The Suburbs, and Soul Asylum when thinking about this label. Oh no, there is so much more. There is such a wealth that even this two hour episode misses out on some great, great releases. But I did what I could.

    Just like with the first SST episode, the initial 45 minutes or so are a chronological look at the label’s early releases. Singles by not only The Suburbs but Fingerprints, Curtiss A, and The Pistons. Later in the show I’ve got some favorite tracks by The Phones, The Magnolias, and The Feelies, along with an early release by The Jayhawks.

    I did refrain from including material from the many sub-labels that were in the Twin\Tone empire. Maybe that could be a future show?

    I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but fund their next set of wonderful songs. And if you buy these records directly from the artist or label, please let them know you heard these tunes on The Ledge! Let them know who is giving them promotion! 

    For more information, including setlists, head to http://scotthudson.blogspot.com

     

    Download MP3 here


  • The Ledge #528: New Replacements & Other Treats

    A few weeks ago, fans of The Replacements noticed that a new live record was starting to appear on vinyl distribution lists. Most at first assumed this was a bootleg, but it turns out tht the Live At Riot Fest Toronto was in fact a legitimate live album. Or sort of, as many rumors starting floating around. Tommy Stinson had reportedly made a deal with a distributor to release it, but some have said that Paul Westerberg had actually vetoed the deal. In a series of DM’s with the distributor, it was verified that Stinson had set up the deal to put it out but there was no word on the Westerberg rumor. It’s also the first in a series of three live releases, as the other two Riot Fest shows in Chicago and Denver are currently being pressed.

    The record itself is quite great. The source is a soundboard recording, although it’s not a remixed multi-track. Tonight’s show features a few songs from this record, along with a number of other albums that have been played in the Hudson household these last few weeks. I’ve also included a handful of songs that Frank Turner performed at Total Drag on July 12 as part of his “50 States in 50 Days” tour.

    I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but fund their next set of wonderful songs. And if you buy these records directly from the artist or label, please let them know you heard these tunes on The Ledge! Let them know who is giving them promotion! 

    For setlists and other information, head to http://scotthudson.blogspot.com

     

    Download MP3 here


  • The Ledge #525: 60 Years of Rock n Roll

    This show ended up being quite different than originally planned. The initial idea was another “odds and ends” show where I aired tracks from some records that I had been playing around the house. I suddenly realized, however, that I’ve been listening to quite a few compilations in the past few weeks. And that I’ve been digging into the archives quite often for some of my oldest records.

    So tonight actually is an odds and ends show that features 60 years of great rock and roll, from the standard bearer Chuck Berry to the current sounds of Low Rats, a band that bodes well for the future of the genre. Four compilations have feature spots in the show – Louie’s Limbo Lounge (Las Vegas Grind, Vol. 2) gathers togehter raw 50’s stompers, Back From the Grave Vol. 5 highlights 60s garage bands, Punk 45: There is No Such Thing As Society, Vol. 2 is centered around late 70’s UK punk and post-punk, and Du Huskers: The Twin Cities Replay Zen Arcade is a 1993 tribute to the classic Husker Du album.

    I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but fund their next set of wonderful songs. And if you buy these records directly from the artist or label, please let them know you heard these tunes on The Ledge! Let them know who is giving them promotion!

    For more info, including setlists, head to http://scotthudson.blogspot.com

     

    Download MP3 here


  • The Ledge #524: Birthday Covers

    When I read that the 35th anniversary date of the release of the fifth Replacements full-length album, Pleased to Meet Me, fell on a “Ledge” night, it obviously became the focal point for a theme. I decided to celebrate the birthday by recreating the album’s track listing with covers of each and every song.

    This became a bit of an issue, however, as some songs were missing from my initial search through my archives. And while I inevitably found some of the missing pieces, I still was short two songs just days before tonight’s show. Luckily, I was alerted to a message board compilation of Replacements covers that included a track donated by our friend Jeremy Porter. Since this comp also included a version of “Red Red Wine”, I quickly contacted him to see if he had the whole release! Well, not only did he have the needed track, he actually played on it! The Regulars were his high school band, and on this cover he played guitar and provided backing vocals! Yes, I was set!

    Unfortunately, a few minutes in my show I was informed that June 17, 1987 was not the actual release date for the album. “Trouble Boys” author Bob Mehr tweeted, “Every June 17, I try not to be a killjoy to those celebrating the release of The Replacements’ Pleased to Meet Me on this date. But, once again, I must point out that the album actually came out April 27, 1987.” 

    Well, I decided to carry on with the celebration anyway, and also included a set devoted to the demos and outtakes that Tommy Stinson recorded during the album’s sessions. If you love his later solo band, Bash and Pop, you’ll really dig these rare tracks.

    To fill up the rest of the show, I included covers of two other albums that recently saw their 50th birthdays. David Bowie’s “The Rise and Fall of Ziggy Stardust and the Spiders From Mars” came out June 16, 1972, and my favorite record of all time, Exile On Main Street by the Rolling Stones, came out on May 26, 1972. It’s a fun, varied show that should appeal to fans of all three of these legendary records.

    I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but fund their next set of wonderful songs. And if you buy these records directly from the artist or label, please let them know you heard these tunes on The Ledge! Let them know who is giving them promotion!

    For more information, including setlists, head to http://scotthudson.blogspot.com

     

    Download MP3 here


  • The Ledge #518: Record Store Day

    I have a few friends who are no fans of Record Store Day, but I love it. Yes, everyday is Record Store Day for me, but it is one of the few days of the year that I’m a social butterfly. I absolutely love the bonding of music geeks in the lines outside stores, and over the years I’ve actually made some friendships out of these same people who brave the elements on this day. We actually kind of look out for each other. If one of us is looking for something quite rare, it’s not unusual for another one of us to grab it for that person. I had that happen just this last week when I arrived a few minutes later than usual, but really needed to get a copy of a certain release.

    For me, this year’s version of the holiday may have been the best ever. I’ve never had a list so long of titles that I “needed”. Plus, my name is on one of them (the Jay Bennett two-record set that included Gorman Bechard’s “Where Is Jay Bennett” on DVD). Besides the obligatory Replacements live album, guitarist Bob Stinson saw the release of a record he recorded with the Bleeding Hearts shortly before his death. The late Kim Shattuck of The Muffs saw a collection of demos. Lou Reed’s first solo studio session hit the shelves. There was another great compilation of rare punk tracks in the Soul Jazz series “Punk 45”. 

    Of course, there was also the usual pile of live releases this year, including sets by Stiff Little Fingers, Reigning Sound, Pixies, Nick Cave and the Bad Seeds, Roky Erickson, and so many more. Ramones albums that have not been available on vinyl for 20 years were collected in a relatively cheap box set. The list goes on and on, and tonight’s episode samples a wide variety of these records.

    I would love it if every listener bought at least one record I played on either of these shows. These great artists deserve to be compensated for their hard work, and every purchase surely helps not only pay their bills but fund their next set of wonderful songs. And if you buy these records directly from the artist or label, please let them know you heard these tunes on The Ledge! Let them know who is giving them promotion!

    For more information, including setlists, head to http://scotthudson.blogspot.com

     

    Download MP3 here